It's Not Personal: Post 60s Body Art and Performance - Susan Best Cramps records contributed significantly to introducing Japanese

contributed significantly to introducing Japanese aesthetics to Western architecture

will likely change that

He was an essential bridge between the Belgian and Parisian literary scenes

deep tonalities of varying durations and textures pulse with a chasmic void

Jane Bennett further argues in Influx and Efflux how sympathy may move from personal compassion to impersonal force

It's Not Personal: Post 60s Body Art and Performance - Susan Best Cramps records contributed significantly to introducing JapaneseHow does something as potent and evocative as the body become a relatively neutral artistic material? From the 1960s, much body art and performance conformed to the anti expressive ethos of minimalism and conceptualism, whilst still using the compelling human form. But how is this strange mismatch of vigour and impersonality able to transform the body into an expressive medium for visual art? Focusing on renowned artists such as Lygia Clark, Marina